A ghostly ghoul
named Akira is released by unsuspecting subway tunnel construction workers
and she's ready to spread her disease through the whole city! Who ya gonna
call? Actually, the only Ghostbuster still in town is Egon, teaching at
Columbia University. His class of only four students soon gets the field
trip of their lives when they have the opportunity to help Egon bust the
spook. The show leaves us hanging with Kylie's possesion by Akira.
Production Supervisor
Shannon Muir's comments:
- "Darkness
at Noon" was originally a one part script. It made it all the way
through storyboards before we realized it was far too long -- either eight
minutes needed to go on, or I think about eleven minutes had to go. Going
into detail about building the new equipment is where we bought most of
the time, though there's other additions scattered throughout. The actual
production numbers are 101 (part 1) and 140 (part 2); this was at my suggestion
because it was just easier to deal with. Otherwise part 2 would have been
production number 121 -- that's how far along we were when the splitting
decision was made -- and I found that to be a lot less neat. Thankfully
those with the power said OK.
- Janine's original
character design called for her to have slacks. They went back to a skirt
just as the boards for "Darkness at Noon" went
overseas and not all the panels were changed. I had to spend late into the
night pasting a miniature picture of Janine with skirt onto all the storyboard
pages as a sidebar and note to make her ON THAT MODEL.
- You notice
Kylie's clothes design also changed? She was originally
supposed to have the outfit she wears in 97% of "Darkness at Noon" but it
was agreed that the costume needed to be simplified. I don't know
why we didn't do the same thing to her that we did to Janine on the storyboards,
maybe because Kylie had so much more screen time. However, if you pay attention,
there is ONE SEQUENCE in "Darkness at Noon" where Kylie wears the casual
clothes she'll have for the rest of the series -- when she summons Grandma
Rose. This was originally a mistake on the part of the board artist not
using (either by ignoring or not being supplied, I forget) the right model
that neither I nor the director caught. I didn't notice until I saw the
animation. In hindsight, I really like it. It gets you used to the new costume,
and is in a stand-alone sequence where the continuity isn't broken. So it's
not jarring when you see it later.
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